Archival Spaces 377: Hans Feld, Weimar Film Journalist Uploaded 11 July 2025 Hans Feld is probably the most well-known and prolific film journalist writing for Weimar Germany’s most widely read film industry publication, Film-Kurier, after Lotte Eisner. Hans Feld was born on 14 July 1902 in Berlin and died on the same day, his 90thContinue reading “377: Hans Feld”
Tag Archives: Weimar Cinema
362: Ufa Musicals 2
Archival Spaces 362 Kurt Gerron’s Ein toller Einfall (1932) Uploaded 13 December 2024 Back in June, I wrote about the UFA film operettas of the early 1930s, noting that many resisted the move to classical Hollywood narrative, displaying instead a high degree of self-reflexivity, employing direct address, featuring both song and dance, and emphasizing theContinue reading “362: Ufa Musicals 2”
349: German film operettas
Archival Spaces 349 UFA greets Lubitsch: Early Sound Film Operettas Uploaded 14 June 2024 In November 2023, I gave a keynote, titled “UFA greets Lubitsch,” at Cinegraph’s annual film historical symposium, “Danger! Music…Between Film Comedy and Musical.” My Archival Spaces 336 discussed their film program of Weimar German sound films, which included many discoveries ofContinue reading “349: German film operettas”
346: G.W. Pabst redux
Arrchival Spaces 346 G.W. Pabst rewritten: Daniel Kehlmann’s novel, Lichtspiel Uploaded 3 May 2024 Film historians consider G.W. Pabst one of the three most accomplished German film directors of the first half of the 20th century. One of my first grad student papers concerned G.W. Pabst’s Three Penny Opera (1931), written for George Bluestone’s seminarContinue reading “346: G.W. Pabst redux”
