Archival Spaces 366: Marta Eggerth’s First Film Uploaded 7 February 2025 The independent film producer/director Richard Eichberg produced his films up to early 1928 at UFA’s Babelsberg Studios, then moved his base of operation to London’s Elstree Studios and British International Pictures, although he also continued to produce films in Berlin. In 1930, Eichberg hiredContinue reading “366: German Musicals 3”
Tag Archives: German cinema
365: Nicholas Baer’s Historical Turns
Archival Spaces 365: Nicholas Baer: Historical Turns: Weimar Cinema and the Crisis of Historicism (2024) Uploaded 24 January 2025 Nicholas Baer’s now-published dissertation, Historical Turns: Weimar Cinema and the Crisis of Historicism (Oakland, CA: University of California Press, 2024), attempts to read five canonical German films from the Weimar Republic in the light of theContinue reading “365: Nicholas Baer’s Historical Turns”
364: Mr. Moto
Archival Spaces 364 Peter Lorre’s Mr. Moto Detective Series Uploaded 10 January 2025 When Adolf Hitler ascended to power on 30 January 1933, Peter Lorre knew he would be at the top of Joseph Goebbels’ enemies list, having been the star of Fritz Lang’s M (1931), a film that called for sympathy for a mentallyContinue reading “364: Mr. Moto”
362: Ufa Musicals 2
Archival Spaces 362 Kurt Gerron’s Ein toller Einfall (1932) Uploaded 13 December 2024 Back in June, I wrote about the UFA film operettas of the early 1930s, noting that many resisted the move to classical Hollywood narrative, displaying instead a high degree of self-reflexivity, employing direct address, featuring both song and dance, and emphasizing theContinue reading “362: Ufa Musicals 2”
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